Vocal recording techniques result
For vocal recording techniques, we tried using an AKG C414 large diaphragm condenser mic with different polar patterns and different positions. We also considered the room acoustic by putting Gobos at different positions. We are trying to record a clear recording of the vocal with room ambiance.
The results:
1. Cardioid pattern with gobos surrounding the vocalist.
The sound captured is loud and clear, but it sounds 'dead' as the reflections are being absorbed by the gobos.
2. Cardioid pattern with gobos at front and back
With the removal of the side gobos, the vocal captured sounded more spacious then the first one.
3. Omnidirectional pattern with gobos at the back
The sound captured is quite clear and it has a pretty good ambiance to it, making the whole recording sounds much better.
The results:
1. Cardioid pattern with gobos surrounding the vocalist.
The sound captured is loud and clear, but it sounds 'dead' as the reflections are being absorbed by the gobos.
2. Cardioid pattern with gobos at front and back
With the removal of the side gobos, the vocal captured sounded more spacious then the first one.
3. Omnidirectional pattern with gobos at the back
The sound captured is quite clear and it has a pretty good ambiance to it, making the whole recording sounds much better.
This vocalist could use a little coaching. She needs to know enough to back away a little on loud notes and has to do something so the vibrato isn't so pronounced. An engineer has to be able to say this.
ReplyDeleteMost of the time, the gobo would go in behind the mic to minimize those reflections. If you need it on all four sides, put her in the booth.